university of hawaii virtual museum

Tau Rima Tahiti: Crafting Performance

T
he UH Manoa Library presents two exhibits, Tau Rima Tahiti and 'Ite 'Upa'upa, curated by ethnomusicology candidate Scott Bartlett, in the Hamilton Library Bridge and Phase II Galleries from March 2 to April 28, 2009.

Tau Rima Tahiti: Crafting Performance showcases the craft artists and the material artifacts of 'Ori Tahiti. Examples of locally made costumes and instruments show how artists preserve Tahitian traditions through craftsmanship, innovation, creative use of resources, and the transmission of knowledge.

Builders and makers construct these objects for the stage production, but their craftsmanship

is a performance in and of itself. The materials of Tau Rima Tahiti celebrate these craftspeople and their central role in preserving Tahitian culture.

‘Ite ‘Upa‘upa features the resources on Tahitian performance are held in the Pacific Collection of Hamilton Library. Developed collaboratively with Librarian Stuart Dawrs, the exhibit highlights photos and books on Tahitian dance and culture.

HOME | Dance and Costume |Instruments and Drumming | Craft Processes

'Ori Tahiti: Tahitian Dance
Amateur and professional dance groups in both Tahiti and Hawai'i perform for special occasions or entertainment, and may compete for prestige and prizes at annual Heiva festivals. These festivals provide a venue for solo and group competition. For the overall presentation, each group chooses its own program theme. This theme drives song selection, choreography, and costume design. Groups take great pride in their fine costumes, which also factor into the judging criteria. Each group's presentation is dramatically introduced or narrated by the ra'atira, director.

The group à la carte presentations focus on isolated genres: Pupu Ta'iri Tō'ere, drumming presentation, and the standard dance styles. One additional dance form found in the à la carte exhibition is the 'ahuroa or 'ahupurotu. A slower version of the 'aparima, this form is named after the full-length dress worn by the vahine or mama ru'au, the grandmothers. In solo competition, dancers employ 'ōte'a style movements. Awards range from jewelry and small trophies for solo categories to musical instruments and cash prizes.

The full group presentation must include the following dance genres:

'ōte'a | video
This presentation dance is almost synonymous with Tahiti. The 'ōte'a features coordinated movements, with dancers arranged in rows and columns and accompanied by the drum ensemble. Dancers wear elaborate costumes featuring the more skirt, made from the shredded inner bark of the hau, hibiscus tree.

'Aparima | video
Often described as "dancing with the hands" (Etua Tahauri), the 'aparima tells a story through established motifs. A typical 'aparima theme would be a love story layered in metaphor. Dancers wear simple but elegant pareu or malo wraps, and sing to the accompaniment of guitar and 'ukarere, Tahitian banjo.

Hivinau | video
Opposing circles of male and female dancers surround the drums, and offer a stock phrase in response to the ra'atira hivinau's heightened speech. At turns the opposing circles face one another and share a brief 'ote'a style dance.

Pa'o'a | video
Another call-and-response recitation, the pa'o'a features seated dancers who accompany the drums by slapping their thighs. The chorus either echoes or continues the ra'atira pa'o'a's humorous or bawdy story, and individual couples may rise to dance amidst the song.

Watch a short video of Manutahi Tahiti's 2006 "Pele" performance, which includes each of the Tahitian dance genres above.

* All videos used with permission of Playback Memories.